Quasar Stage — Coachella 2024
A new dance stage built around two opposing LED walls, programmed for extended-format sets.
I’m a producer, operator, and founder focused on turning ambitious ideas into real, executable projects.
A lot of my work sits between the creative and operational sides of a project. I help define the scope, build the budget and schedule, organize the team, manage vendors, and carry the work through design, engineering, fabrication, installation, and show.
As a Senior Producer at Vita Motus Design Studio in Los Angeles, I’ve worked across live events, broadcast, production design, festivals, international ceremonies, and large-scale public projects.
I started in festival production, working across Lightning in a Bottle, Coachella, EDC, Do LaB, and Insomniac. That background taught me how much the quality of the final result depends on the structure behind it. Good creative work needs clear decisions, strong systems, and people who know how to move a project forward.
Outside of production, I founded Sonus Club, where I manage and develop artists. I also founded Arqiv, a commerce data company.
The industries are different, but the work is similar. I’m interested in building the structure that allows creative ideas, businesses, and people to grow.
A new dance stage built around two opposing LED walls, programmed for extended-format sets.
Soundstorm's main stage in the Riyadh desert — a Guinness World Record LED wall, built to float.
Ceremony work on the Los Angeles opening and the U.S. closing of the tournament.
The opening ceremony for the first 32-team Club World Cup, staged ahead of the tournament's first match.
A live awards broadcast built to hold an arena room and a television cut at once.
A multi-level mutant vehicle taken from first sketch to its Burning Man debut.

An artist-first management company in Los Angeles representing informal. and Sosh & Mosh.
sonus.club
Receipt intelligence infrastructure for structured commerce data.
arqiv.it